{"id":64,"date":"2016-10-04T22:26:00","date_gmt":"2016-10-04T22:26:00","guid":{"rendered":"http:\/\/159.89.159.72\/2016\/10\/04\/emilija-skarnulyte\/"},"modified":"2019-09-29T10:37:28","modified_gmt":"2019-09-29T10:37:28","slug":"emilija-skarnulyte","status":"publish","type":"post","link":"https:\/\/thegoodneighbour.lt\/lt\/emilija-skarnulyte\/","title":{"rendered":"Qso Lens"},"content":{"rendered":"<div class=\"bio-text\"><p>Emilija \u0160karnulyt\u0117 (b. Vilnius, 1987) is a visual artist and filmmaker based in Troms\u00f8, Berlin and Vilnius. Her films look into the cross sections of invisible structures, deep time, geo-traumas, identity and geological ungrounding processes.\u00a0\u0160karnulyt\u0117 holds a BA from the Brera Academy of Fine Arts in Milan, Italy, and an MA from Troms\u00f8 Academy of Contemporary Art, Norway.<\/p>\n<p>Her films have been screened at the 15th International Venice Architecture Biennale (2016); SIART Bolivia International Art Biennial (2016); International Film Festival Rotterdam (Netherlands, 2015); Manifesta 10 (Russia, 2014), 31st Sao Paulo Biennial (2014); Pompidou Film Festival Hors Pistes (France, 2014) and International Short Film Festival Oberhausen (Germany, 2013) among others.<\/p><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":65,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[73,5,3],"tags":[27],"post_year":[53],"_links":{"self":[{"href":"https:\/\/thegoodneighbour.lt\/lt\/wp-json\/wp\/v2\/posts\/64"}],"collection":[{"href":"https:\/\/thegoodneighbour.lt\/lt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thegoodneighbour.lt\/lt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thegoodneighbour.lt\/lt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thegoodneighbour.lt\/lt\/wp-json\/wp\/v2\/comments?post=64"}],"version-history":[{"count":3,"href":"https:\/\/thegoodneighbour.lt\/lt\/wp-json\/wp\/v2\/posts\/64\/revisions"}],"predecessor-version":[{"id":364,"href":"https:\/\/thegoodneighbour.lt\/lt\/wp-json\/wp\/v2\/posts\/64\/revisions\/364"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thegoodneighbour.lt\/lt\/wp-json\/wp\/v2\/media\/65"}],"wp:attachment":[{"href":"https:\/\/thegoodneighbour.lt\/lt\/wp-json\/wp\/v2\/media?parent=64"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thegoodneighbour.lt\/lt\/wp-json\/wp\/v2\/categories?post=64"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thegoodneighbour.lt\/lt\/wp-json\/wp\/v2\/tags?post=64"},{"taxonomy":"post_year","embeddable":true,"href":"https:\/\/thegoodneighbour.lt\/lt\/wp-json\/wp\/v2\/post_year?post=64"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}