Interviu \u201eThe Good Neighbour\u201c meninink\u0117 Urt\u0117 Janus dalijasi savo k\u016brybiniu keliu ir apm\u0105sto nuolatin\u012f med\u017eiagi\u0161kumo, laiko bei sud\u0117tingo meno ir aplinkos santykio tyrin\u0117jim\u0105. Ji kalbasi su mumis rinkdama kaulus, akmenis ir plastiko gabal\u0117lius Temz\u0117s pakrant\u0117je ir eksperimentuodama si r\u016bg\u0161timi savo studijoje Londone.<\/p>\n
Urt\u0117 Janus is a London-based Lithuanian artist, whose multidisciplinary approach stems from a photography degree, gradually evolving into video art, sculpture, and set design. Her latest work, “All the Seas Long Gone,” displayed at the National Gallery of Art as part of the JCDecaux Prize exhibition until December 3, 2023 reflects her journey in finding diverse forms of artistic expression.<\/p>\n
Janus recently completed a year-long residency at the Alexander McQueen Sarabande Foundation before pursuing an Art and Ecology MA at Goldsmiths. There she continues her experimental approach, blending theoretical insights with sensory perception. Janus’ introspective and interdisciplinary approach prompts discussions on the ephemeral nature of art, disrupting traditional perceptions of artistic longevity and engaging with broader ecological and existential dialogues.<\/p>\n
<\/p>\n
Prodiusavo \u201eThe Good Neighbour\u201d; 2023
\nKlausimai: Just\u0117 Kostikovait\u0117
\nPhotography: Urt\u0117 Janus<\/p>\n
Musika: NataTeva \u2013 LASKA
\nFilmavo Elena Reimeryt\u0117<\/p>\n
Projekt\u0105 remia Lietuvos kult\u016bros taryba<\/p>\n
Partneriai: JK Lietuvi\u0173 jaunimo asociacija,
\nBritanijos Lietuvi\u0173 draugija<\/p>","protected":false},"excerpt":{"rendered":"
In the interview for The Good Neighbour artist Urt\u0117 Janus shares her creative journey and reflects an ongoing exploration of materiality, time, and the intricate relationship between art and the environment. She is speaking to us while picking up the bones, stones and plastic pieces on the shores of the Thames and tinkering with acid […]<\/p>","protected":false},"author":2,"featured_media":496,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[74,9,3],"tags":[90],"post_year":[89],"_links":{"self":[{"href":"https:\/\/thegoodneighbour.lt\/lt\/wp-json\/wp\/v2\/posts\/494"}],"collection":[{"href":"https:\/\/thegoodneighbour.lt\/lt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thegoodneighbour.lt\/lt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thegoodneighbour.lt\/lt\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thegoodneighbour.lt\/lt\/wp-json\/wp\/v2\/comments?post=494"}],"version-history":[{"count":1,"href":"https:\/\/thegoodneighbour.lt\/lt\/wp-json\/wp\/v2\/posts\/494\/revisions"}],"predecessor-version":[{"id":495,"href":"https:\/\/thegoodneighbour.lt\/lt\/wp-json\/wp\/v2\/posts\/494\/revisions\/495"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thegoodneighbour.lt\/lt\/wp-json\/wp\/v2\/media\/496"}],"wp:attachment":[{"href":"https:\/\/thegoodneighbour.lt\/lt\/wp-json\/wp\/v2\/media?parent=494"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thegoodneighbour.lt\/lt\/wp-json\/wp\/v2\/categories?post=494"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thegoodneighbour.lt\/lt\/wp-json\/wp\/v2\/tags?post=494"},{"taxonomy":"post_year","embeddable":true,"href":"https:\/\/thegoodneighbour.lt\/lt\/wp-json\/wp\/v2\/post_year?post=494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}